The Summer is here.....although the weather thinks otherwise! Some awe-inspiring performances in August to fully re-charge your electro-acoustic batteries if the credit crunch prevents that package holiday to Malaga...may be no bad thing to stay at home and spend inexpensive but worthwhile time with the cream of home-grown talent in the world of improvisation and boundary-destroying performance.

Breaking news......FluxImprov gets in on the act with its first live performance event from the ever-exciting and genre-defying Polar Bear who appear at The Electric Theatre, Guildford on Monday 12th October 2009 (see flyer below for details).

Please feel free to make e-mail contact or send listings to: fluximprov@hotmail.co.uk or call Derek Sanders on 07887 534380.

 

 
     
 

 

INVITATION FOR ANGLO-JAPANESE IMPROV/FREE JAZZ LINKS

 

FluxImprov is looking to forge links with the improvisation/free jazz scene in Japan with a view to a year-long project focusing on what is happening on the scene there and how it filters into the UK scene. I would love to hear from promoters, musicians et al working the scene in Tokyo, Kyoto, Nagoya. Hiroshima ......wherever...... as well as from Japanese musicians from the genre working in the UK with a view to regular features on this site and the potential for live performance/events. Please email details, information, contibutions etc to Derek Sanders at fluximprov@hotmail.co.uk.

 

 
 

 
 
  DATE & INFO   VENUE  
 
 

FluxImprov 'gig of the month'

Friday 28th to Sunday 30th August 2009

Avantgarde, Germany

Faust's Jean-Herve curates a weekend in Northern Germany with the live performance from the likes of Faust, Nurse With Wound, Dagnar Krause & Slap Happy, Danielle Dax, Helena Gough, Peter Blegvad Trio, James Johnston & Phillipa Petit and so so much more......Booking the flight now!!!!!

 

Schiphorst Steinhorster Weg 2

€60-€50/Festival Pass


www.avantgarde.de

 
   
 

Saturday 1st August 2009

Field Day


Home comfort feel festival in Hackney's Victoria Park with Four Tet, Skream, Final Fantasy, Fennesz, Mogwai, The Thing and Jamie Yorkston


 

London Victoria Park

Doors open: 11.30am
Admission: £29.50

www.fielddayfestivals.com

 

 
 

Sunday 2nd August 2009

The London Improvisers Orchestra marches on . . . .

 

London Cafe Oto

18 - 22 Ashwin Street

Dalston, London

Doors open: 8.00pm

Admission: £6/£4

info@cafeoto.co.uk

 

 
 

Tuesday 4th August 2009

Dominic Lash (bass), Al Easton (guitar) and David Hayley (dums)

 

The Klinker
Tottenham Chances
399 High Road
London
N17 6QN


Doors open: 9pm

Admission: £5/£3

 

 
 

Thursday 6th August 2009

Duets With Algorithms


Ollie Brown, Tim Blackwell and Eddie Prevost duet with with autonomous improvising software....... intriguing!!

 

London Cafe Oto

18 - 22 Ashwin Street

Dalston, London

 

Doors open: 7.30pm
Admission: free
info@cafeoto.co.uk

Reservations: andi@cenatus.org

 

 
 

Friday 7th August to Sunday 9th August 2009

Tatsuya Yoshida

Ruins drummer works the London circuit in his own inimitable style in company with Charles Heywood

 

Serpentine Gallery Summer Pavilion (7th only)

Doors open:

Admission: £5/£4

 

London Cafe Oto (8th and 9th)
18 - 22 Ashwin Street

Dalston, London

Doors open: 7.30pm
Admission: £8/£14 - two day pass

 

 
 

Sunday 9th August 2009

The Eddie Prevost Quartet

Eddie performs with Nathaniel Catchploe, Philip Somervell and Guillaume Viltard

 

The Vortex

11 Gillett Square
London
N16 8JH

Doors open: 8.30pm
Admission: £8/£6
Telephone: 020 7254 4097

 

 
 

Monday 10th August 2009

Alexander Hawkins Ensemble album launch gig (with Javier Carmona, Otto Fischer, Hannah Marshall, Dominic Lash and Orphy Robinson)

 

 

The Vortex

11 Gillett Square
London
N16 8JH

Doors open: 8.30pm
Admission: £8
Telephone: 020 7254 4097

 

 
 

Tuesday 11th August 2009

Dominic Lash (bass) performing John Cage's Four6 with Chris Goode, Harry Gilonis and Josh Robinson Openned

 

The Foundry
84-86 Great Eastern Street
London
EC2A 3HY


Doors open: 7:15pm

Admission: free

 

 
 

Friday 14th to Sunday 16th August 2009

Free Rotation

Three sound-systems - all beautifully electronic within the sumptious grounds of Baskerville Hall, Hay-on-Wye featuring Marcel Dettmann, s562, Shackleton, Efdermin, Move D, Deverelist, Ramadanman, Portable AKA Bodycose, Ben UFO. Film presentations also.

 

 

Baskerville Hall

Hay-on-Wye

Admission: £65

www.freerotation.com

 
 

Friday 14th to Sunday 16th August 2009

La Route du Rock

Eclectic mix with My Bloody Valentine, FluxImprov favourites Tortoise, Bill Callaghan, Peaches with Sweet Machine, Gang Gang Dance, Four Tet and Deerhunter amongst many...

 

 

St Malo, Bretagne, France

(various venues across St Malo)

€89 Festival Pass (includes t-shirt)

www.laroutedurock.com

 
 

Monday 17th August 2009

Dominic Lash (dble bass) in trio with Will Connors (drums) and Dave Q (voice)

 

Boat-Ting
Bar&Co
Temple Pier
Embankment
London


Doors open: 8.00pm

Admission: £6/£4

www.boat-ting.com

 

 
 

Sunday 16th to Tuesday 18th August 2009

Fete QuaQua

Mopomoso's annual improv bash featuring ensemble and smaller groups exploring and collaborations with the sublime playing of John Russell in peformance with Pat Thomas, John Butcher, Lol Coxhill, Satoko Fukuda, Hannajh Marshall, Ute Voelker, Sabu Toyozumi - quite simply a mouth-watering line up...........see you there!!

 

 

The Vortex

11 Gillett Square
London
N16 8JH

Doors open: 8.30pm
Admission: £10/£7 and £25/£18 Festival Pass
Telephone: 020 7254 4097

www.mopomoso.com

 

 
 

Thursday 20th August 2009

The regular Klinker night north of the river features Dominic Lash (dble bass) in duo with Karl da Silva (alto saxophone)

 

The Klinker
Cross Kings
126 York Way
London
N1 0AX
London

Doors open; 8.00pm

Admission £5/£3

www.kilinkerclub.info


 
 
Thursday 20th August 2009

A gathering of affinities, times and ethnicities

A rare and unique moment to see this exciting String Quartet playing with the special guest from Taiwan, the Pipa performer Luo Chao-yun, who is visiting UK for some festival concerts plus Rodrigo Montoya (Brazil) on the tsugaru-shamisen, Marcio Mattos (Brazil/UK) on the cello & electronics and John Edwards (UK) on the double bass.

Luo Chao-yun gained a Master's degree in Pipa Performance at the Central Conservatory of Music in Beijing and now teaches at the National Hsin-Chu University of Education in Taiwan. A virtuoso, she is a tireless international ambassador for the instrument, equally at home with traditional Chinese and contemporary music, performing as a soloist or ensemble member and giving master classes and lecture recitals in North and South America, Europe, Asia and the Far East. Among the many groups she has appeared with are the Taipei Municipal, Grass Mountain Traditional and Penang Hui Yin Seh orchestras. Luo Chao-yun is supported by The Ministry of Foreign Affairs - Republic of China.
www.myspace.com/pipawoman

Rodrigo Montoya began Japanese music studies on Tsugaru-Shamisen in the Japanese Community from his birthplace city Sao Paulo-Brazil. There he has performed in japanese folk groups and in the Brazilian improvised music scene. He came to London in 2008 where he has collaborated with many musicians from the London improv scene as the London Improvisers Orchestra and also he has performed in Japanese festivals playing Tsugaru shamisen music. Founding member of the Brazilian improvising group 'ABAETETUBA', which has recently toured Europe.
www.myspace.com/rodrigomontoyak
 

Marcio Mattos has performed as cellist and double bassist in a variety of recordings and concerts of improvised, jazz and new music since the 1970s. After entering the Villa-Lobos institute in Rio de Janeiro he began his involvement with improvised and electronic music. Mattos moved to Europe in 1970, and since has worked with just about every leading member of the international improvised music scene including Evan Parker, Roscoe Mitchell, Derek Bailey's Company, John Surman, Marilyn Crispell, Dewey Redman, John Butcher and many more. He has worked with dance companies, such as The Extemporary Dance Theatre Company, and Ballet Rambert. Projects Mattos has been involved in include: various versions of Elton Dean's groups, Tony Oxley's Celebration Orchestra, Eddie Prevost Quartet, AXON with Phil Minton and Martin Blume, LINES with Phil Wachsmann, electro-acoustic music groups such as the West Square Electronic Music Ensemble, and as a duo with shakuhachi player Shiku Yano. He also works and exhibits as a ceramic artist (trained at Goldsmiths College).
www.myspace.com/marciomattosmusic
www.musiclay.co.uk

John Edwards is one of London's most in-demand, uncompromising, imaginative double bass players, and one of the most significant players of his generation. Since taking up the double bass in 1987 and playing with the Pointy Birds and the Cholomondeleys dance company he went on to play with B Shops for the Poor, The Honkies and GOD as well as busking in the street and composing and performing music theatre with The Great Explorers. Since the early 1990s he has built a reputation as one of the finest, and most in demand bass players currently active on the British and European improv/ jazz and New music scenes- a first choice for musicians such as Evan Parker, Louis Moholo, Veryan Weston, Charles Hayward and Spring Heel Jack- Other groups include BRUISE and the Obliquity trio with Alan Wilkinson and Noble.
www.myspace.com/wilkinsonedwardsnoble
www.myspace.com/nobleedwardsward

 

 

St Mary's Old Church
Stoke Newington Church Street
(by Clissold Park)
N16 9ES, London

 
Doors open: 8.00pm

Admission: £8/£5 concs.

Buses 393, 73, 476.

 
 

Tuesday 25th August 2009

Tortoise

Chicagoan post-rock/krautrock FluxImprov favourites perform material from the wondrous 'Beacons of Ancestorship'.

 

 

London Garage

Doors open: 7.00pm

Admission: £13

 
 

Sunday 22nd August 2009

Radio Black Forest

Electro-acoustic, drone, psych and folk spread over two stages and featuring Colin Potter, Tusk, Psychedelic Desert, Lin Zhang, Noonmoos, Cities Prepare for Attack!, Collosloth, Drean Dream The Dreams Orchestra and Hoofus.

 

 

Wagon and Horses

28 Adderley Street, Bordesley Green, Birmingham

Doors open: 5.00pm

Admission: 310

myspace.com/radioblackforest

 
 
 

 

Safehouse Brighton presents

ON THE EDGE

  Improvised and experimental music

Entrance £6.00/£5.00 (members & unwaged)

NO AUGUST EVENT BUT WATCH THIS SPACE FOR SEPTEMBER'S LISTING

upstairs at the OPEN HOUSE pub,

Springfield Road, Brighton, BN1

(next to London Road Train Station)

 

0844 999 6335

 

         

The Wildcard Quartet

further information from

Gusgarside@ntlworld.com

or www.myspace.com/safehousebrighton

The Safehouse collective welcomes adventurous improvisers - acoustic or electronic - to its OPEN EVENINGS on the first Wednesday of every month.

The Safehouse continues its ON THE EDGE performances on the last Wednesday of every month

 

 
 
 

Text Box:   fluximprov  ……happenings in live improvised music  The Electric Theatre, Guildford www.electrictheatre.co.uk Box Office: 01483 444789 Polar Bear Monday 12th October 2009 @ 8pm £12 adv/£14 door   Seb Roachford (drums), winner of the BBC Jazz Award for best newcomer in 2004, nominee for BBC Jazz Award best musician in 2006 and nominee for the Mercury Prize in 2005 and 2007, appears alongside Pete Wareham (tenor sax), Leafcutter John (electronics), Mark Lockheart (tenor sax) and Tom Herbert (bass), together making-up the critically acclaimed ‘Polar Bear’.  “To call Polar Bear ‘fusionists’, however, would be to seriously miscast them; if anything, they’re fissionists, disassembling and reconfiguring elements of modern musical history to endlessly intriguing effect”……Time Out Magazine                     www.fluximprov.co.uk

 

 
 
 
  Date: Saturday 5 September
Time: 19:30
Venue: Kings Place, St Pancras
Price: £4.50

Max Eastley (UK) sound sculptor and painter, music instrument maker, kinetic sound sculptures


You may have heard of gravikords, whirlies and pyrophones. Or about orbitones, spoon harps and bellowphones. Or even the long string instrument, the mouth bow, the stamenphone, the theremin... the list goes on and on. There are many pioneering inventors and performers of new and unusual musical instruments. These 4 concerts tonight are a small but interesting sample of the rich area which is new musical instrument making, bending and re-inventing. This is not a new idea - it has been existing for many centuries. These days, it is frequently associated to and influenced by experimental music, sound art, sound design, installation art, found sounds, modified electronic toys, customs relay circuits, circuit bending, etc, etc, etc. Belonging to the unofficial school of outrageously inventive designers and builders of new, unusual and rediscovered musical instruments, the examples we are going to see and listen tonight will range from the experimental musical instruments of Max Eastley (playing his own Arc, a monochord of wood and wire, which is scraped, bent and flexed into an orbit of amplified effects) and Victor Gama (playing his own acoustic Pangeia Instruments, bearing wonderful names like Southern Cross, Vibrant Rings, Tonal Matrix and Spiralphone) to the custom built electronic devices, modified amplifier, portable square wave oscillator and filter, and glove controlled computer sinewaves of Rafael Toral, and finally to the found percussion and acoustic phenomenae of Z'EV, one of the progenitors of the "industrial movement". It is only the peak of the iceberg but hopefully it will stimulate your curiosity and your hungry for more.

www.kingsplace.co.uk

 

 
 
 
 
 

ConCert series at Cafe Oto


Monday 27th July 2009, 8pm. £6/£4


-Mark Fletcher (electr),

Dominic Lash (dble bass),
Samantha Rebello (flute),

Lawrence Williams (clarinet)
-Nicolas Christian (elect bass),

Karl D’Silva (alto sax),
Dave Lawrence (amplified objects),
Kaj David (piano),

Daniela de Paulis (cracklebox),
Noel Taylor (clarinet),

Kota Terao (recorder)

http://workshopseries.wordpress.com


Cafe OTO,

18 - 22 Ashwin Street,

Dalston, London,

E8 3DL


www.cafeoto.co.uk

 
 
 
 
 

Tanya Tagaq

 
 

“Tanya is directly musically in touch with something that is almost a ghost. To me, it is something that is so special and so much a part of the earth and the land and the environment” DAVID HARRINGTON, KRONOS QUARTET

“ Traditional throat singing is a game between two women that is an emulation of the sounds from the land” TANYA TAGAQ

‘Indescribable’ is not an appropriate word to beginan artist’s bio, nor is it suitable as a description of a musician. The problem is this: when Tanya Tagaqs’ music fills your ears, she is one of those rare artists whose sounds and styles are truly groundbreaking. ‘Inuit throat singer’ is one part of her sonic quotient. So are descriptions like ‘orchestral’ ‘hip-hopinfused’ and ‘primal’…but these words are not usually used collectively. In the case of Tagaq, however – they are.

So much has happened to Tagaq since the release of her debut CD Sinaa (meaning ‘edge’ in her ancestral language of Inuktitut) in 2005. The Nunavut born singer has not just attracted the attention of some of the world’s most groundbreaking artists, they have invited her to participate on their own musical projects. Tanya has recently recorded once again with Björk (on the soundtrack for the Matthew Barney film Drawing Restraint 9) having already appeared on Björk’s Medúlla CD in 2004 and accompanied her on the Vespertine tour. In 2007, another collaborative project came to fruition when the Kronos Quartet invited Tanya to participate – as co-writer and performer – on a project aptly titled Nunavut, which has been performed at select venues across North America, from its January 2008 debut at the Chan Centre in Vancouver, BC through to New York’s Carnegie Hall. Acclaim and respect has followed Tagaq on her solo ventures as well: both Sinaa and Auk / Blood were nominated for a Juno Award (Best Aboriginal Recording) and (Best Instrumental Recording) Both recordings won in several categories at the Canadian Aboriginal Music Awards, including Best Female Artist. Tanya’s most recent project is the stunning video Tungajuk on which she collaborated with Jesse Zubot and Montreal filmmakers Felix Lajeunesse and Paul Raphael.

Tanya appears at Kings Place London on Thursday 5th November 2009 at 9.00pm as part of the London International Festival of Exploratory Music. Not to be missed!!

www.lifem.org.uk

www.kingsplace.co.uk


Venue: Hall One
Price: KP45 £14.50, £11.50 £9.50 Saver Seat £6.50

 
 
 
 
 

And do not forget to have a look at the details for regular club nights:

Boat-Tingwww.boat-ting.com
Bohman Brothers at BAC - www.bac.org.uk
Freenoisewww.freenoise.co.uk
Frimpwww,frimp.co.uk
Immersionwww.immersionclub.tk
Improvizonewww.improvizone.com
Klinkerwww.kilinkerclub.info
On the Edgewww.myspace.com/safehousebrighton
Spirit of Gravitywww.spiritofgravity.com
Xposed Clubwww.myspace.com/theexposedclub

 

     
   
 
 
 

Four, yes four new Jez Riley French releases this month – ‘….the bright work’ – hydrophone recordings:-

 

  • East Yorkshire waters: Thornwick Bay
  • Czech waters: Dolni Pocernice lake
  • English waters: River Cherwell
  • Estonian waters: Mooste jarvi, Apnajarve, Palojarv and Vohandu river
 

 

Jez’s work focuses on the exploration of detail via intuitive composition, extended field recording techniques and photography. Elements such as sonic architecture, audible silence and compositional arcs have evolved from his need as an artist to remain open to his emotive, intuitive response to situations and environments.

Visit: http://jezrileyfrench.blogspot.com/

 

 

 

 
 

Daniel Levin Quartet

Live at Roulette – Daniel Levin (cel), Matt Moran (vib), Nate Wooley (t) & Peter Bitenc (b)

Clean  Feed Records CF 147

 

The Daniel Levin Quartet has already shown on prior recordings that a change of conventional instrumentation in a jazz combo is enough to explore an entirely different world of musical gesture, timbre, and expression. In the case of this latest release, Levin dispenses with his own convention of using song structures as the basis for improvisation. Instead, he gave trumpeter Nate Wooley, vibraphonist Matt Moran, bassist Peter Bitenc (and himself on violoncello) a set of words and concepts, and allowed the dialogue between the musicians to proceed in the most immediate fashion imaginable. You have to follow the individual movements in the large musical spectrum offered without expecting them to be in the usual place. You'll soon find that's the most interesting way to keep track of all the conversations established and the little games of tension the band creates. Everything moves, like in a Morton Feldman composition, with the difference that, here, there is the element of surprise provided by improvisation. Here is a music entirely of our time.

 

 
   
 
 
 

 

‘On the Margins of Art. Creation and Political Engagement’

 

Museu D’art Contemporani De Barcelona

Until 27th September 2009   Centre d'Estudis i Documentació, MACBA

Plaça dels Angels, 1

08001 Barcelona

Tel +34 93 412 08 10

Fax +34 93 412 46 02

On the Margins of Art is a new exhibition bringing together documents, editions and other materials from its collection. Curated by Guy Schraenen, this exhibition presents a broad overview of the various ways in which artists from the second half of the 20th century have placed their creative capacity at the service of political demands.

The material chosen takes in magazines, books, posters, pamphlets, postcards and other printed forms, located somewhere halfway in the wide-ranging spectrum addressed by the purest form of art to the most direct political declaration. All the material stems from the combination of various degrees of artistic skill, visual impact and political intention, ingredients to which an enormously creative use of language is often added, which draws its inspiration, consciously or unconsciously, from the achievements of visual poetry.

Some of these elements emerge from the reaction to a specific circumstance, as in the case of the posters produced by the anti-establishment movements related to May 1968; others, on the other hand, were spawned by more lasting organisations or movements and respond to various motives including gender demands – Guerrilla Girls, Barbara Kruger – or racial demands – Black Panther Party –, environmental concerns, class conflicts or countercultural movements such as the case of the Dutch Provo movement and the magazine of the same name published in the 1970s. Chronologically speaking, the selection of materials spans an exhibition of the surrealist tracts and documentation related to Situationist International to recent works produced around the turn of the 21st century.

The exhibition features the artists Joseph Beuys, Mirtha Dermisache, Antonio Dias, Alfredo Jaar, Barbara Kruger, Jenny Holzer, Víctor Mira, Miralda, Muntadas, Maurizio Nannuci, Joan Rabascall, Ben Vautier and Edgardo Antonio Vigo, and the movements Art in Ruins, Guerrilla Girls and Provo, among others.

www.macba.cat

Curator: Guy Schraenen

Production: Museu d’Art Contemporani de Barcelona (MACBA)


 
 
 

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